In the weirdest decision yet for a Shakespeare film adaptation, Fellowes does not merely follow the Hollywood tradition of condensing the poetry or moving certain lines around from scene to scene, thereby creating a greater cinematic impact. No, he only uses the occasional famous line, usually as an exclamation point for every scene. Rather than having his characters speak the prose that audiences have applauded for over 400 years, his screenplay throws in the towel of converting its target audience, and only gives them the Spark Notes version where the most famous lines are uttered, but huge swaths of dialogue reside in abridging the context for the audience. This could still have at least worked on an entertaining level, if so much else of the production had not also gone bare bodkin mad.
This horror movie-inspired virtual pinball table is a bloody good time (sorry).
If you're looking for something to watch this Pride Month, then check out these movies and shows celebrating unique LGBTQ identities.
Last night, I had the absolute pleasure of attending the premiere of Bad Boys 4: Ride or Die with my ride-or-die best mates, and let me tell you, it was one of the most fun cinema experiences of the year! From the quality of the movie to the electrifying vibe of the cinema, everything about the night was extraordinary. The communal laughter, the spontaneous shouting at the screen—it was an experience that almost rivalled having an entire cinema to myself.
