Total Film | Before Midnight Review

The rare strength of the Before trilogy (as it’s now become) has always been its unforced naturalism: situations and dialogue that, though evidently scripted, come across as totally spontaneous and convincing, with fully inhabited characters.

As with its two predecessors – and with the films of French New Wave director Éric Rohmer, presiding deity of this kind of cinema – Midnight’s essentially a film about people talking. But when the talk’s this good, this absorbing and revealing and witty and true, who’s going to complain?

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