Independent Cinema writes: From beautiful landscapes to a big name cast, Oz: The Great and Powerful had all the promise of a wonderful visit back to the land of Oz. Even from the opening moments of the film and the transportation from Kansas to Oz, the film still had me by the hooks, and I felt like maybe my worries of the film being another Alice in Wonderland debacle could be put aside. James Franco’s character, Oz, is immediately unlikable but there’s an element to him that makes the audience care about him: he has aspirations. He’s in this magical world which immediately impresses with its visual style, and there’s a nice cast of supporting characters that add humor and charm to the overall film. Yet, Oz: The Great and Powerful still winds up being almost as lifeless as Tim Burton’s Alice in Wonderland remake (comparisons are difficult not to make), resulting in yet another aesthetically brilliant film from Disney, with no real soul to it.
Does the ultra-violent new movie, Boy Kills World, glorify violence or encourage a world without it? We see the latter.
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Shaz from GL takes a new look into the broader themes of one of Pixar's oldest animated feature films.