SR: Everyone needs to feel powerful and in control. That’s especially true of those who have little or no power to speak of – like, say, a recently-turned terrorist asset who is now actively working with the CIA in order to maintain his freedom and not completely destroy the lives of his family. Homeland has dealt with power struggles before – it’s one the show’s strongest storytelling assets – but in ‘The Clearing,’ the writers work in how close the needs of others can come to undoing the machinations of those used to getting their way.
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