Oozing blandness and spattered with unintentional hilarity, The Possession is an amorphous blob of been-there-done-that genre tropes, even with its limp attempt at uniqueness by putting a Jewish spin on the exorcism thriller. As it turns out, a religious figure dressed in goofy clothing muttering gibberish over a twitching young girl is an equally flaccid horror approach across all religious denominations.
