Julia Roberts' evil queen tells the audience at the start of MIRROR, MIRROR that this is her story. The novel and Broadway musical Wicked utilized just such a shift in perspective to retell the familiar story of The Wizard of Oz to much success, and one can certainly see the potential in the venerable Brother's Grimm fable of Snow White and the Seven Dwarfs for a similar approach. It's a shame, then, when MIRROR, MIRROR quickly abandons that conceit to focus on Snow White (Lily Collins) instead.
Christopher Nolan’s Oppenheimer walked into the 96th Academy Awards and blew everyone away, winning seven Oscars on the night. But is it Nolan's best film yet?
Cancel all proposed awards ceremonies and hand over the major gongs to Peter Farrelly's Ricky ;Stanicky.
Late Night with the Devil will be The Exorcist for a new generation.
I just can't see Snow White as a comedy and that being my opinion I won't be seeing this version of it. I do however think I'll see Snow White and the Huntsman.