Orphan boy Hugo Cabret lives behind the walls of Paris railway station, keeping the station clocks going while attempting to fix a clockwork man found by his father. When he becomes involved with the old man who runs a toy booth, Hugo stumbles upon an old secret, and an opportunity to fix something long broken.
Martin Scorsese is full of surprises. The last thing you would expect from the man who brought us Raging Bull, Goodfellas and Taxi Driver is a whimsical children’s tale. And yet, Hugo turns out to be a movie that perhaps only Scorsese, the movie historian’s director, could have made. Indeed, it is glib to describe this a simply a children’s movie, since at its heart Hugo is nothing less than a love letter to cinema itself.