MovieLine: There’s so much shouting in Joel Schumacher’s hostage thriller Trespass that you start to imagine the cast must have had to take every third day off to sit around in wool scarves with lemon tea focusing on regaining the ability to speak. If you were to down a shot every time someone screams “Go!” or “Run!” you’d expire of alcohol poisoning before the credits ran. Taking place over the course of one shrieky evening, the film presents a home invasion scenario to fit up with our new era of class warfare accusations — a group of desperate thugs posing as policemen force their way into the high-end lakeside home of a diamond dealer and his family, who turn out to be struggling through their own financial dire straits.
In a world where monsters attack at night, we see yet another world, post-apocalypse, where a handful of people struggle to survive.
Crime Scene Berlin-Nightlife Killer Review: This documentary series really drops the ball with its storytelling.
In a movie that largely sidesteps what the war is about, “Civil War” puts us in the point of view of journalists who make it clear there are no heroes in war, just dead bodies.
