Edward Westman writes: "The film is yet another addition to the ever expanding genre of the false document horror movie and as is the case with most trends, the gag is wearing perilously thin. Notwithstanding the nagging issue of documentary tool becoming a first person perspective (or vice versa? I’m so confused), the narrative ploy of ‘found footage’ has been so overused that by the time the events unfold we have been strapped to the rails of the world’s most generic rollercoaster. One that we are invited to ride at least twice every year, each time we are promised a new thrill, which only ever turns out to be a variation on the same old rope. ‘Step right up folks to see a classic monster trope obscured by a handheld camera!’ The visual effects are certainly to be admired, but such is an over-saturated marketplace where everybody else has their own Cloverfield, where being able to master the painstaking process of compositing a CG monster into wobbly handheld photography (match-mo...
Trollhunter works on a number of levels: fairytale, fantasy, supernatural adventure, political satire, workplace comedy, but the most immediately satisfying characteristic is Ovredal’s take on Scandinavian legends.
Chillopedia: Sometimes watching a foreign film is difficult, as you have to be familiar with the culture to grasp the film’s message. One universal theme you’ll find, though, is comedy: Everyone may not laugh at the same things, but everyone loves to laugh.
A group of students travel deep into the Norwegian woods in hope of documenting a recent spate of animal slaughters. Believed to be the work of a wild bear, the students come across Hans (Otto Jespersen - Odd Little Man) a hunter who they believe is tracking the bear. By following him they discover that Hans is no bear hunter though and what they find is far more dangerous than they ever imagined.
This film is one of those rubbish films that claims that the story is true. This film is complete and utter garbage and I want that time back.