Every director starts somewhere. There’s always that first picture. For many directors, their first movie is either a trial-by-fire (see David Fincher and Alien3), a promising start (see Neil Marshall and Dog Soldiers) or something that they, and we, would rather forget ever happened (see James Cameron and Piranha II: Flying Killers).
There are some debuts, however, that announce a new talent completely. These are not just first movies, but manifestos. They scream out ‘this is what I can do, keep watching this space’. After this, the filmmaker either makes good on his promise or spends his career struggling to escape the shadow of it. That is the double-edged sword of a great debut. It really can be a blessing or a curse.