FilmCritic:
Charlie St. Cloud is a noble, good-natured mess of a movie. Its heart always seems to be in the right place. Its brain, unfortunately, is always somewhere else.
Charlie marks the next step in Zac Efron's evolution, the latest attempt to prove that the handsome and effortlessly magnetic young actor can survive outside of the effervescent ensembles he led through three High School Musical films and the winning Hairspray remake. Last year's 17 Again demonstrated Efron's decent comedic chops. Charlie -- helmed by 17 Again director Burr Steers -- is meant to show the actor's sentimental side, as well as his considerable dramatic range.
Christopher Nolan’s Oppenheimer walked into the 96th Academy Awards and blew everyone away, winning seven Oscars on the night. But is it Nolan's best film yet?
Cancel all proposed awards ceremonies and hand over the major gongs to Peter Farrelly's Ricky ;Stanicky.
Late Night with the Devil will be The Exorcist for a new generation.