Variety
The swimming is synchronized in “Sink or Swim,” and so is the scripting: Gilles Lellouche’s feelgood buddy comedy so painstakingly mimics the rhythms and motions of assorted men-in-quirky-crisis farces from across the Channel that it may as well have been titled “The Pool Monty.”
Christopher Nolan’s Oppenheimer walked into the 96th Academy Awards and blew everyone away, winning seven Oscars on the night. But is it Nolan's best film yet?
Cancel all proposed awards ceremonies and hand over the major gongs to Peter Farrelly's Ricky ;Stanicky.
In The Streaming Dilemma, a frustrated fanboy talks about the worst thing about the changes to streaming, and why it's a problem for so very many fans.