Variety
In pumped-up espionage potboilers like “Salt” or “Atomic Blonde,” Angelina Jolie and Charlize Theron have gone through the motions of imitating male action stars at their most kick-ass grandiose. They’re slickly “empowered” women, yet it’s hard to distinguish that power from the thriller-video decadence of 21st-century action filmmaking.
Christopher Nolan’s Oppenheimer walked into the 96th Academy Awards and blew everyone away, winning seven Oscars on the night. But is it Nolan's best film yet?
Cancel all proposed awards ceremonies and hand over the major gongs to Peter Farrelly's Ricky ;Stanicky.
Late Night with the Devil will be The Exorcist for a new generation.