The Wrap
Over five haunting films set in his splintered, morality-challenged Russian homeland, Andrey Zvyagintsev has become a die-hard master at capturing spaces both beautiful and desolate, images of the recognizable world — nature, buildings, people — that also teem with a sense of something absent. That feeling is given explicit purpose in his latest breath-taker, “Loveless,” a quietly harrowing drama about a shattered marriage that finds itself under the spotlight again due to the most awful of circumstances: the sudden disappearance of the couple’s young son.
Christopher Nolan’s Oppenheimer walked into the 96th Academy Awards and blew everyone away, winning seven Oscars on the night. But is it Nolan's best film yet?
Cancel all proposed awards ceremonies and hand over the major gongs to Peter Farrelly's Ricky ;Stanicky.
Late Night with the Devil will be The Exorcist for a new generation.