The Guardian
here is an early image in Russian director Andrey Zvyagintsev’s Oscar-nominated Loveless that has haunted me since I first saw the film. A couple in the throes of a messy separation are arguing bitterly about which of them will have to care for their young son, an onerous burden neither wishes to shoulder. As they argue, a door is pulled shut and the camera spies the child, unseen by his parents, standing in the shadows, a white vest accentuating his fragile frame, his face contorted in a silent scream of unloved anguish.
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