Birth Movies Death
When I take notes during a screening, I’m mostly scribbling down details or stray observations that I hope will be significant in helping me unpack the film when I write about it later. During Madeline’s Madeline, I had no idea what to write because filmmaker Josephine Decker’s cinematic language was completely foreign to me. Experimental cinema is a huge blind spot for me, but I’ve watched enough of it to know that Madeline’s Madeline isn’t that. Not strictly. I could see a narrative taking shape, but, formally, the usual giveaways – e.g. camera placement, shot composition and editing – weren’t telling me what I needed to know.
With the new The Crow remake coming soon, we take a look back at the 30-year-old cult classic original–and where the stars are now.
Kaam Chalu Hai Review: Based on true events, this movie is thought-provoking and inspiring
Rebel Moon Part 2 Review: This movie doesn't feel anything new or worth remembering, which is a shame.
