W Magazine
Around two years ago, as part of his preparation to play the couturier Reynolds Woodcock in Paul Thomas Anderson’s latest film, Phantom Thread, Daniel Day-Lewis re-created a Balenciaga dress. At that time, Day-Lewis could not have predicted that Woodcock would be the last character he would play. He had no sense that this film would engulf him in such a depression that he would be prompted to publicly announce his retirement from acting. On the contrary, he was, as he has always been when he takes on a new part, eager to immerse himself in yet another cinematic identity.
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