EW
There are sure-thing blockbusters, and films bound for awards-season gold. And then there are the ones that answer to a higher calling — the in-flight “why not?” we click when all the tiny pretzels and blue potato chips are gone and the map icon says Cleveland is still three long, empty hours away. The Hitman’s Bodyguard is strictly an Economy Coach experience, but it’s brainlessly fun enough in a late-’90s Brett Ratner buddy-comedy kind of way. (If there wasn’t the stray smartphone on screen and another director’s name above the title, it might have been exactly that.)
Christopher Nolan’s Oppenheimer walked into the 96th Academy Awards and blew everyone away, winning seven Oscars on the night. But is it Nolan's best film yet?
Cancel all proposed awards ceremonies and hand over the major gongs to Peter Farrelly's Ricky ;Stanicky.
Late Night with the Devil will be The Exorcist for a new generation.