Variety
Slow-motion is employed incessantly throughout “Princess Cyd,” which is apt given the inertia of Stephen Cone’s artificial indie. For his follow-up to 2015’s “Henry Gamble’s Birthday Party,” the writer-director paints a sketchy portrait of a teenage girl’s coming-of-age while spending a few weeks with her famous aunt, an acclaimed author. Caring more about what its characters represent — and its empathetic representation of them — than about crafting a fully formed drama concerning flesh-and-blood people, Cone’s film has little more than its heart in the right place. Expect scant theatrical traction after the pic’s debut at this year’s BAMcinemaFest.
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