Tears of laughter and tears of grief are both in abundant supply in Asaph Polonsky’s uproariously funny and heart-wrenchingly moving “One Week and a Day.” Playing in the Critic’s Week sidebar in Cannes, the film examines the grieving process through a haze of pot smoke and sly humor.
Christopher Nolan’s Oppenheimer walked into the 96th Academy Awards and blew everyone away, winning seven Oscars on the night. But is it Nolan's best film yet?
Cancel all proposed awards ceremonies and hand over the major gongs to Peter Farrelly's Ricky ;Stanicky.
Late Night with the Devil will be The Exorcist for a new generation.