'After Hours' could have easily been about an upright normie versus the scary art-weirdos, or the neighborhood of artists versus the evil entitled yuppie, but it never goes in either direction, winding up instead as a film about a bad set of circumstances made worse by people just being on different wavelengths.
Christopher Nolan’s Oppenheimer walked into the 96th Academy Awards and blew everyone away, winning seven Oscars on the night. But is it Nolan's best film yet?
Cancel all proposed awards ceremonies and hand over the major gongs to Peter Farrelly's Ricky ;Stanicky.
Late Night with the Devil will be The Exorcist for a new generation.