Joblo
The Yellow Birds is easily the most frustrating film I’ve seen at this year’s Sundance. Half brilliant, and half dull, director Alexandre Moors (Blue Caprice) has made a visually stunning war film, but also one that’s bogged down in a thoroughly routine mystery and too much familiar home-front drama.
Christopher Nolan’s Oppenheimer walked into the 96th Academy Awards and blew everyone away, winning seven Oscars on the night. But is it Nolan's best film yet?
Cancel all proposed awards ceremonies and hand over the major gongs to Peter Farrelly's Ricky ;Stanicky.
Late Night with the Devil will be The Exorcist for a new generation.