AVClub: During the opening five or 10 minutes of The Hollars, three different tasteful acoustic-guitar songs play on the soundtrack. Or maybe it’s the same song, played three times; it’s hard to tell, and the Josh Ritter score only confuses matters further. John Krasinski’s second feature has such a milquetoast, melancholy-indie sound that its most arresting and dynamic musical moment comes when three characters unexpectedly break into “Closer To Fine” by the Indigo Girls.
Christopher Nolan’s Oppenheimer walked into the 96th Academy Awards and blew everyone away, winning seven Oscars on the night. But is it Nolan's best film yet?
Cancel all proposed awards ceremonies and hand over the major gongs to Peter Farrelly's Ricky ;Stanicky.
Late Night with the Devil will be The Exorcist for a new generation.