Indiewire
Director Tim Miller's long-gestating "Deadpool" feature exposes its audience to its twisted worldview in the least amount of time possible, using its uproarious opening credits to tick off important character tropes rather than actual actor names (Brianna Hildebrand is "a moody teen" while Stefan Kapicic's Colossus is derided as "a CGI character") who are all starring in "some douchebag's film." These snappy, sometimes silly credits all play over a slick, gory slow-motion car crash that hints at major carnage to come, all with a cheeky twist (amid the swirling, crunched bodies gentling hurdling through space, there is various self-aware ephemera, like a People Magazine declaring Ryan Reynolds as the sexiest man alive and a Green Lantern card that made an entire audience groan). It's all bolstered by a purposely ironic musical choice: Juice Newton's "Angel of the Morning" blares out like the cherry on top of a "look, isn't this funny?" sundae.
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