Ex Machina taps back into that old sci-fi conceit of exploring the troubling implications of artificial intelligence. It’s been explored many times in the past (as recently as Spike Jonze’s Her), but a theme that only seems to be more worthy of discussion with each passing year as we inch closer to it being a troubling reality rather than a troubling theory. The film works and works beautifully because it springs from the mind of Alex Garland, a screenwriter/producer who gradually built up his distinctly detached voice through such projects as 28 Days Later, Sunshine, and Dredd.
Christopher Nolan’s Oppenheimer walked into the 96th Academy Awards and blew everyone away, winning seven Oscars on the night. But is it Nolan's best film yet?
Cancel all proposed awards ceremonies and hand over the major gongs to Peter Farrelly's Ricky ;Stanicky.
Late Night with the Devil will be The Exorcist for a new generation.
Nice. Can't wait to see this