TF:
Given the throwaway nature of Rodriguez’s Machete and Spy Kids sequels, it’s almost a relief that he and Miller took their sweet time here. Blending two adapted tales with two freshly minted Miller originals, we start with fan-fave Just Another Saturday Night, re-acquainting us with Mickey Rourke’s Marv as he terrorises some frat boys and flies through a cop car windshield. And that’s just the five-minute pre-credits pre-amble.
True, the new 3D adds little and the stories are still about as deep as a shallow grave. But between its coal-black humour and the immersive b/w visuals, bringing Miller’s lurid world vividly to life (with some wonderful splashes of colour – notably Green’s eyes), there’s enough here for fans of the first to get their rocks off. Add in fine support from newcomers like Dennis Haysbert, Jeremy Piven and Ray Liotta, and this is one summer sequel to kill for.
Not as groundbreaking as the original, nor as expansive as all the best sequels are. But with some excellent cast additions, and Miller on murky form, this still sizzles to the touch.
Christopher Nolan’s Oppenheimer walked into the 96th Academy Awards and blew everyone away, winning seven Oscars on the night. But is it Nolan's best film yet?
Cancel all proposed awards ceremonies and hand over the major gongs to Peter Farrelly's Ricky ;Stanicky.
Late Night with the Devil will be The Exorcist for a new generation.