Inside Llewyn Davis is the ever illusive perfect film. It has everything you want in a masterpiece: great performances, great story, pitch perfect tone, and most importantly, heavy themes that can be explored for years to come.
Christopher Nolan’s Oppenheimer walked into the 96th Academy Awards and blew everyone away, winning seven Oscars on the night. But is it Nolan's best film yet?
Cancel all proposed awards ceremonies and hand over the major gongs to Peter Farrelly's Ricky ;Stanicky.
Late Night with the Devil will be The Exorcist for a new generation.
There are a number of films which may be considered (almost/neart) perfect, depending on what you look for in a film. That's the reason movie debates and arguements are so friggin awesome.
I must admit I'm pretty excited to see this when I back down home.
Haven't exactly been the biggest fan of the Coen Brothers post-2000 original work (True Grit was amazing), but still have great expectations for Llewyn Davis.