TF:
It’s a generally accepted rule that stories require a beginning, a middle and an end (even if Jean-Luc Godard felt that they didn’t necessarily have to be in that order). But do those rules apply if you’re stretching a single story over three epic films?
The Two Towers (the middle child of the Lord Of The Rings trilogy) avoided that second-film pitfall: it kept the overarching journey chugging forward, but had its own self-contained story with a worthy climax. The biggest flaw in The Desolation Of Smaug, one that sees it fall short of its epic forebears, is that it feels very much like a middle.
Freeman does at least deliver the goods in some challenging early scenes that see Bilbo in thrall to the lure of the all-important One Ring, with a standout moment plumbing depths of moral murkiness rarely addressed in family entertainment.
With the new The Crow remake coming soon, we take a look back at the 30-year-old cult classic original–and where the stars are now.
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