WGTC writes: If for nothing else, Thor: The Dark World might end up being remembered as the bellwether for Marvel’s comic book movie legacy. In the five years since Iron Man kicked this crazy (successful) experiment off, a longview for Marvel’s mega-franchise has started to develop, with future road markers in sight, but no clear stopping point yet on the horizon. Like the hero of its latest instalment, the Marvel films have been forced to occupy two worlds: one, a grounded-enough sci-fi adventure universe filled with interesting characters, and another, where gods and aliens do battle at such a spectacular scale that the hero only saving a mere country means they’re having an off-day.
Christopher Nolan’s Oppenheimer walked into the 96th Academy Awards and blew everyone away, winning seven Oscars on the night. But is it Nolan's best film yet?
Cancel all proposed awards ceremonies and hand over the major gongs to Peter Farrelly's Ricky ;Stanicky.
Late Night with the Devil will be The Exorcist for a new generation.