TF:
The rare strength of the Before trilogy (as it’s now become) has always been its unforced naturalism: situations and dialogue that, though evidently scripted, come across as totally spontaneous and convincing, with fully inhabited characters.
As with its two predecessors – and with the films of French New Wave director Éric Rohmer, presiding deity of this kind of cinema – Midnight’s essentially a film about people talking. But when the talk’s this good, this absorbing and revealing and witty and true, who’s going to complain?
With the new The Crow remake coming soon, we take a look back at the 30-year-old cult classic original–and where the stars are now.
Kaam Chalu Hai Review: Based on true events, this movie is thought-provoking and inspiring
Rebel Moon Part 2 Review: This movie doesn't feel anything new or worth remembering, which is a shame.
